Abstract
This article analyses perceptions of the Holy Land through the pictorial representations of Jewish holy places in the Romanian Moldavia synagogues from the mid-19th to the mid-20th century. These images implied the sanctity of the biblical land and the belief in its messianic revival by the Jewish people. Some synagogue artists ‘domesticated' their paintings of a never-seen land by depicting those remote places according to features characteristic of familiar local landscapes.
Original language | American English |
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Pages (from-to) | 138-173 |
Journal | Quest |
Volume | 6 |
DOIs | |
State | Published - 2013 |