Abstract
In this paper we test the hypothesis that tautologies (An X is an X; X is X) are actually not tautologies (i.e., not repetitive). Indeed, when exploring natural language use, it seems that, having expressed such “uninformative” statements, speakers, most often, spell out their specific intended interpretation, rendering these messages informative (Section 2). Visual/pictorial tautologies are also informative; either they allow the observers to come up with their own interpretation, or often, the artists use language to spell out the intended message (Section 3). Whether in language or in picture, artists tend to deautomatize the familiar, thereby rendering tautologies Optimally Innovative. Additionally, they often produce tautologies that convey figurative messages, whether metaphorical or sarcastic, thus allowing these tautologies to be highly creative (Section 5). Tautologies, then, communicate innovative messages, even when implicitly so. In fact, tautologies may often covertly reject the default salient meaning, while explicitly enlarging on it by using a novel, nondefault alternative.
Original language | English |
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Pages (from-to) | 97-121 |
Number of pages | 25 |
Journal | Metaphor and Symbol |
Volume | 35 |
Issue number | 2 |
DOIs | |
State | Published - 2 Apr 2020 |
Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2020 Taylor & Francis Group, LLC.
Funding
This research was supported by The Israel Science Foundation grant (no. 540/19) to Rachel Giora. We are most grateful to all the students who participated in running the Experiments. We are also very grateful to Dr. Israela Becker for collecting naturally occurring tautological examples from HeTenTen corpus, and to Elad Livnat who collected tautological examples from Israeli newspapers. We are also much obliged to Michal Na’aman for granting us permission to display her artworks in our article, as well as to Noemi Givon, a director of Givon Gallery, for granting us permission to publish Raffi Lavie’s artworks, and also to Mira Maylor for allowing us to display her artwork in this article. Last but not least, we greatly appreciate the reviewer of this article for his most helpful comments and insights.
Funders | Funder number |
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HeTenTen corpus | |
Israel Science Foundation | 540/19 |