Topics in Dyadic and Triadic Theory

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Abstract

In Sect. 11.1 the relation between Glarean’s “dodecachordal” theory and Lippius’s triadic modal theory on the one hand, and the theory of dyadic and triadic modes and semi-keys, on the other, is discussed. Section 11.2 addresses, in the triadic context, issues of consonance and stability. Section 11.3 studies two important relationships between triadic keys, the “relative” and the “parallel.” Finally, Sect. 11.4 addresses the relationship between the theory of robust triadic keys and Schenker’s notion of “mixture.”

Original languageEnglish
Title of host publicationComputational Music Science
PublisherSpringer Nature
Pages179-188
Number of pages10
DOIs
StatePublished - 2013

Publication series

NameComputational Music Science
ISSN (Print)1868-0305
ISSN (Electronic)1868-0313

Bibliographical note

Publisher Copyright:
© 2013, Springer-Verlag Berlin Heidelberg.

Keywords

  • Modal Theory
  • Musical Mode
  • Roman Numeral
  • Tonic Triad
  • Triadic Conception

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