Abstract
Over the past two decades, Israeli Orthodox Jewish women filmmakers have used film to speak in a public voice about various subjects that were previously taboo. Although there are aspects of Orthodoxy to which these filmmakers object, they do so as 'devoted resisters'. Rather than expressing heretical opposition, the women stay committed to Orthodoxy precisely because they are able to use filmmaking to resist. In their negotiations of voice used to 'justify' their decision to become filmmakers, the women position themselves as 'accidental' filmmakers, thereby remaining within Orthodoxy while critiquing it through their films. Cultural resistance in this case is not carried out as defiance to Orthodox Judaism but rather out of a relationship with it, featuring a form of resistance that insists upon devotion to multiple commitments.
| Original language | English |
|---|---|
| Pages (from-to) | 110-130 |
| Number of pages | 21 |
| Journal | Israel Studies Review |
| Volume | 34 |
| Issue number | 1 |
| DOIs | |
| State | Published - 1 Mar 2019 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© Association for Israel Studies.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
Keywords
- Devoted resisters
- Feminism
- Filmmaking
- Israel
- Judaism
- Modern Orthodoxy
- Orthodox women filmmakers
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