Abstract
The piece "Seven Cadenzas" commissioned by Levinsky College of Education for the Carmel Quartet. The work seeks to take the listener into the intimate space of the quartet, a space in which codes of collective behaviors arise, resulting from the uniqueness of each musician. In the work, the transition between the different spaces preserves a fixed pattern: from harmonious group performance to a sound that surrounds a single note in each instrument, a note that is decorated in a micro-tonal way. This texture separates into two different spaces: the concrete space; "Here and now" in the form of an idyllic cadence for string instruments, and fictional space; a recorded and processed image that is dispersed by loudspeakers and functions as an anonymous echo emanating from the surroundings. The process is repeated seven times while disengagement is presented with a different instrument. In the background, the voice of the composer Yosef Tal explains the development of music in the 20th century.
Performed by Carmel Quartet ; Josef Tal (1910-2008) narrator.
Performed live by Carmel Quartet at Levinsky college of education. 16/6/19
Performed by Carmel Quartet ; Josef Tal (1910-2008) narrator.
Performed live by Carmel Quartet at Levinsky college of education. 16/6/19
| Original language | American English |
|---|---|
| Media of output | Online |
| State | Published - 2018 |
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Dive into the research topics of 'Seven Cadenzas: For String Quartet and Electronics [performance]'. Together they form a unique fingerprint.Activities
- 1 Invited talk
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Seven Cadenzas, for the string quartet, electronics and the radiophonic voice of composer Joseph Tal
Cohen, S. (Speaker)
2020Activity: Talk or presentation › Invited talk
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