King David and the frog

Marina Ritzarev

doi:10.4312/mz.50.2.31-42

King David and the frog

Translated title of the contribution: Kralj David in žaba

Marina Ritzarev

Department of Music

Research output: Contribution to journal › Article › peer-review

Abstract

The interrelations between the liturgical and paraliturgical genres of sacred music in both live practice and in historiography are explored. Parallels are found between eighteenth-century Russian and modern Hebrew religious music. The author's theory of the vernacular in music is applied to explain the stylistic openness in paraliturgical music (as a parallel to onto-vernacular folklore).

Translated title of the contribution	Kralj David in žaba
Original language	English
Pages (from-to)	31-42
Number of pages	12
Journal	Muzikoloski Zbornik
Volume	50
Issue number	2
DOIs	https://doi.org/10.4312/mz.50.2.31-42
State	Published - 2014

Keywords

Liturgical
Onto-vernacular
Paraliturgical
Phylo-vernacular
Vernacular

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10.4312/mz.50.2.31-42

Cite this

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King David and the frog

Abstract

Keywords

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