TY - JOUR
T1 - Israeli Literature and Cinema in a Web of Intercultural Relations: The Reconciliation of Conflicts on Screen
AU - Weissbrod, R.
PY - 2008
Y1 - 2008
N2 - One way of establishing intercultural contacts is to produce a cinematic adaptation of a literary work originating in another country. The present article examines three adaptations in which Israeli culture is involved: Lost Lover, directed by Roberto Faenza (1999), which is based on Avraham B. Yehoshua's The Lover (1977); The Island on Bird Street, directed by Soren Kragh-Jacobsen (1997), which is based on a novel by Uri Orlev (1981); and Saint Clara, directed by Ari Folman and Ori Sivan (1996), which is based on The Ideas of Saint Clara (1986 [1981]) by the Czechs Jelena Masinova and Pavel Kohout. Films usually re-shape their literary sources, seeking to adapt them to new circumstances and to a new audience. A significant modification of the source is likely to take place when the transfer from literature to cinema is also an intercultural one. In the era of trans-national media, account should also be taken of the possibility that the filmmakers might endeavor to make the film universally acceptable rather than adapting it to a specific target culture. Against this background, the article examines how the films under consideration depoliticize (in the terminology of Barthes) historical, ideological and political issues referred to in the novels, replacing controversial stands with widely accepted values such as peace and love, probably in order to increase their appeal to diverse audiences. This applies especially to the treatment of Zionist ideology and history which the films prefer to marginalize or evade rather than criticize or endorse.
AB - One way of establishing intercultural contacts is to produce a cinematic adaptation of a literary work originating in another country. The present article examines three adaptations in which Israeli culture is involved: Lost Lover, directed by Roberto Faenza (1999), which is based on Avraham B. Yehoshua's The Lover (1977); The Island on Bird Street, directed by Soren Kragh-Jacobsen (1997), which is based on a novel by Uri Orlev (1981); and Saint Clara, directed by Ari Folman and Ori Sivan (1996), which is based on The Ideas of Saint Clara (1986 [1981]) by the Czechs Jelena Masinova and Pavel Kohout. Films usually re-shape their literary sources, seeking to adapt them to new circumstances and to a new audience. A significant modification of the source is likely to take place when the transfer from literature to cinema is also an intercultural one. In the era of trans-national media, account should also be taken of the possibility that the filmmakers might endeavor to make the film universally acceptable rather than adapting it to a specific target culture. Against this background, the article examines how the films under consideration depoliticize (in the terminology of Barthes) historical, ideological and political issues referred to in the novels, replacing controversial stands with widely accepted values such as peace and love, probably in order to increase their appeal to diverse audiences. This applies especially to the treatment of Zionist ideology and history which the films prefer to marginalize or evade rather than criticize or endorse.
UR - https://scholar.google.co.il/scholar?q=Israeli+Literature+and+Cinema+in+a+Web+of+Intercultural+Relations%3A+The+Reconciliation+of+Conflicts+on+Screen&btnG=&hl=en&as_sdt=0%2C5
M3 - Article
VL - 7
JO - Borderlands
JF - Borderlands
IS - 1
ER -