Abstract
This article explores intertextuality and the way it connects to international news organizations' production routines as complex moments and sites of conflict. I demonstrate the unique connection by analyzing a specific event covered by an Israeli Reuters photographer, in which a suicide bomber killed an Israeli officer in an attack near the city of Tulkarem. I conduct an interpretive analysis of the event and its coverage, combined with a semiotic analysis of both the "picture of the event" (selected as such by the Reuters photographer) and an older picture taken by a local Israeli news photographer, used as an intertext.
| Original language | English |
|---|---|
| Pages (from-to) | 2879-2898 |
| Number of pages | 20 |
| Journal | International Journal of Communication |
| Volume | 8 |
| Issue number | 1 |
| State | Published - 2014 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 3 Good Health and Well-being
Keywords
- Cultural identity
- International news agency
- Intertextuality
- News photography
Fingerprint
Dive into the research topics of 'Intertextuality and news photography production: International making of a pictorial echo'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver