Abstract
This article demonstrates how Yiddish books (in particular, collections
of tales), in the era of the manuscript as well as the print age, were
intended for all readers - men, women and children. They were intended
for a reading public that enjoyed both ``godly{''} and ``ungodly{''}
stories in equal measure, at the same time and even in the same book.
This point is illustrated first with reference to two 16th-century
manuscripts that include a spectrum of genres, from rewritings of Hebrew
sources to German folktales, and then expanded through an analysis of
the Mayse-bukh, which contains not only stories based on talmudic
aggadot and narratives focused on German Pietists, but also a miscellany
of adventure tales taken from a variety of European sources (with and
without morals), resembling in structure the Italian Novellino. First
printed in 1602, the Mayse-bukh was presented by its editor as
appropriate and improving reading for everyone.
| Original language | American English |
|---|---|
| Pages (from-to) | 203-233 |
| Journal | Jewish Studies Quarterly |
| Volume | 26 |
| Issue number | 3 |
| DOIs | |
| State | Published - 2019 |
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