Abstract
The persistence of anti-Jewish and antisemitic stereotypes throughout history, from medieval times to the present, reveals the enduring power of visual and cultural narratives in shaping public perceptions of Jews. This paper examines how Yvan Attal’s film Ils sont partout effectively satirizes these stereotypes, exposing their absurdity and the dangers of such ingrained prejudices. By connecting modern satire to historical instances of antisemitism, this study emphasizes the necessity of challenging and critically analyzing these harmful depictions. While the forms of anti-Jewish and antisemitism evolve over time, the underlying biases remain disturbingly consistent across cultures and eras.
| Original language | English |
|---|---|
| Article number | 1561 |
| Journal | Religions |
| Volume | 15 |
| Issue number | 12 |
| DOIs | |
| State | Published - Dec 2024 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2024 by the author.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 16 Peace, Justice and Strong Institutions
Keywords
- Christian–Jewish relations in art
- Ils sont partout
- Jewish identity
- Yvan Attal
- blood libel
- host desecration
- ritual murder
- satire and antisemitism
- stereotypes of Jews
Fingerprint
Dive into the research topics of '“Get the Joke or Get the Jew”: Satire and the Performance of Antisemitism from the Middle Ages to the Twenty-First Century'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver