Chagall and Russian futurism:'the one-and-a-half-eyed archer'

M. Rajner

Chagall and Russian futurism:'the one-and-a-half-eyed archer'

Department of Jewish Art

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

On Chagall's 1915 painting Jew in Bright Red (Saint-Petersburg, State Russian Museum), which portrays an older Jewish man sitting on a stool with one eye open and one eye closed. Argues for an Eastern/Western duality in the iconography, and explores the influence of Russian futurism and Benedikt Livshits's (Livsic) text The one and a half-eyed archer. ;

Original language	American English
Title of host publication	The 11th World Congress of Jewish Studies
State	Published - 1994

Bibliographical note

Place of conference:Jerusalem

Cite this

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abstract = "On Chagall's 1915 painting Jew in Bright Red (Saint-Petersburg, State Russian Museum), which portrays an older Jewish man sitting on a stool with one eye open and one eye closed. Argues for an Eastern/Western duality in the iconography, and explores the influence of Russian futurism and Benedikt Livshits's (Livsic) text The one and a half-eyed archer. ;",

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AB - On Chagall's 1915 painting Jew in Bright Red (Saint-Petersburg, State Russian Museum), which portrays an older Jewish man sitting on a stool with one eye open and one eye closed. Argues for an Eastern/Western duality in the iconography, and explores the influence of Russian futurism and Benedikt Livshits's (Livsic) text The one and a half-eyed archer. ;

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BT - The 11th World Congress of Jewish Studies

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Chagall and Russian futurism:'the one-and-a-half-eyed archer'

Abstract

Bibliographical note

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Cite this