TY - JOUR
T1 - After the curtain falls
T2 - On the post-performance adjustment of solo singers
AU - Bodner, Ehud
AU - Bensimon, Moshe
PY - 2008/12
Y1 - 2008/12
N2 - The purpose of our study was to examine the psychological experience of a particular type of performing musicians, solo singers, upon finishing their stage performance. Thirty-eight professional rock singers completed questionnaires related to their self-esteem, positive and negative affects, and purpose in life, at 3 days before and after their performance. The contribution of these variables to the prediction of the participants' sense of purpose in life before and after performance was analyzed. We also compared the scores obtained from the singers' mental health condition with the scores of nonsingers who were nonpatients, ambulatory-neurotic patients, or inpatient-psychiatric patients tested by Florian and Drory in 1990. Results showed a post-performance decrement in emotional intensity and in the singers' sense of purpose in life. The singers' ability to maintain their sense of purpose in life after the performance was predicted by their professional experience, psychological well-being, and psychological mental distress. The singers' mental health appeared better than both the ambulatory-neurotic and inpatient-psychiatric groups, but it was worse than the mental health of the nonpatients. The meanings of these findings and their implications for post-performance psychotherapy are discussed.
AB - The purpose of our study was to examine the psychological experience of a particular type of performing musicians, solo singers, upon finishing their stage performance. Thirty-eight professional rock singers completed questionnaires related to their self-esteem, positive and negative affects, and purpose in life, at 3 days before and after their performance. The contribution of these variables to the prediction of the participants' sense of purpose in life before and after performance was analyzed. We also compared the scores obtained from the singers' mental health condition with the scores of nonsingers who were nonpatients, ambulatory-neurotic patients, or inpatient-psychiatric patients tested by Florian and Drory in 1990. Results showed a post-performance decrement in emotional intensity and in the singers' sense of purpose in life. The singers' ability to maintain their sense of purpose in life after the performance was predicted by their professional experience, psychological well-being, and psychological mental distress. The singers' mental health appeared better than both the ambulatory-neurotic and inpatient-psychiatric groups, but it was worse than the mental health of the nonpatients. The meanings of these findings and their implications for post-performance psychotherapy are discussed.
UR - http://www.scopus.com/inward/record.url?scp=58549115293&partnerID=8YFLogxK
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AN - SCOPUS:58549115293
SN - 0885-1158
VL - 23
SP - 172
EP - 177
JO - Medical Problems of Performing Artists
JF - Medical Problems of Performing Artists
IS - 4
ER -