A Parokhet as a picture: Chagall's Prayer Desk (1908-1909)

Mirjam Rajner

Research output: Contribution to journalReview articlepeer-review

1 Scopus citations

Abstract

A little-known painting by Marc Chagall usually referred to as the Prayer Desk and dated 1909 shows a Torah Ark curtain or parokhet hung above a low narrow table. Franz Meyer suggested that this work was painted in a private home in Narva, a small town on the Baltic coast where Chagall used to visit a wealthy Jewish family of industrialists, the Germonts. They were his patron, the lawyer Grigory A. Goldberg's in-laws, and as an art student studying in St Petersburg, Chagall often spent his vacations at their home. Meyer describes the painting as ‘the paraphernalia used in the [Germont] family devotions'. This would have been an unusual practice for a Jewish family. For a service to include a reading from the Torah, a quorum of ten men (a minyan) must be present. This makes it a communal ceremony, in contrast to the private devotions practised among aristocratic Christian families with chapels attached to their homes. Moreover, the parokhet in Chagall's painting hangs flat against the wall rather than covering an Ark containing a Torah scroll, which is its function, and which would require much greater depth.
Original languageEnglish
Pages (from-to)193-222
Number of pages30
JournalStudia Rosenthaliana
Volume37
DOIs
StatePublished - 2004
Externally publishedYes

Fingerprint

Dive into the research topics of 'A Parokhet as a picture: Chagall's Prayer Desk (1908-1909)'. Together they form a unique fingerprint.

Cite this